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Brat Farrar

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Who Would Like This Book:

If you like mysteries that focus on character and atmosphere rather than just whodunit, "Brat Farrar" is a treat. Josephine Tey masterfully weaves suspense into everyday life, making you root for an imposter who just wants to belong. The story is full of well-developed characters, vivid English countryside vibes, and a fascinating look at the world of horse breeding. Fans of classic British mysteries, found family stories, and anyone who enjoys clever psychological suspense (with a gentle pace) will find a lot to love here.

Who May Not Like This Book:

Some readers might find the plot a bit predictable or slow, especially if they're used to high-octane, twist-a-minute thrillers. The resolution at the end can feel a little abrupt or tidy, and if you're not into detailed scenes about horses or old-fashioned English settings, a few parts may drag. Those looking for a gritty, modern mystery or lots of on-page action may want to look elsewhere.

A beautifully written, quietly suspenseful classic that’s more about belonging and identity than just solving a crime. Perfect for fans of traditional mysteries who love strong characters and rich atmosphere.

About:

'Brat Farrar' by Josephine Tey revolves around the mysterious arrival of Brat Farrar at the Ashby family's country home, claiming to be the long-lost eldest son, Patrick Ashby. Despite Brat's resemblance to the family, doubts linger about his true identity. The story unfolds with Brat's intricate impersonation, intertwined with family dynamics, horse breeding, and a dark mystery surrounding Patrick's disappearance. Tey's writing style intricately weaves together character development, suspense, and moral dilemmas, creating a compelling narrative set against the backdrop of English country life.

The plot of 'Brat Farrar' is praised for its engaging portrayal of characters, particularly Brat Farrar and the Ashby family, each with their unique complexities and moral dilemmas. The story's charm lies in the subtle exploration of good and evil, moral choices, and the impact of deception on familial relationships. Tey's narrative skillfully combines elements of mystery, suspense, and family drama, culminating in a satisfying resolution that keeps readers engaged till the end.

Characters:

The characters are richly developed and nuanced, showcasing complex interactions amidst themes of trust, deception, and familial bonds.

Writing/Prose:

The writing style is elegant, character-driven, and immersive, effectively blending narrative depth with atmospheric details.

Plot/Storyline:

The plot weaves a complex tale of mistaken identity and the emotional struggles of an imposter navigating family dynamics while uncovering dark secrets.

Setting:

Set in a fictional English countryside, the novel evokes a deep sense of place against the backdrop of post-war family struggles.

Pacing:

The pacing is deliberate, focusing on character-driven storytelling, with a slow build-up and a more rapid resolution.
She looked down the table at the three bent heads, and Eleanor's still vacant place, and wondered if she had done right by them. Would Bill and Nora be pleased with what she had made of their children...

Notes:

Brat Farrar is a mystery novel by Josephine Tey, first published in 1949.
The story revolves around Brat Farrar, a young orphan who resembles the missing heir, Patrick Ashby.
Patrick Ashby disappeared after a family tragedy, presumed dead by drowning, with no body found.
Brat is approached by a con man who wants him to impersonate Patrick to claim the Ashby fortune.
Brat initially declines the offer but is tempted by the opportunity to be around horses.
The novel explores themes of identity, belonging, and moral dilemmas.
Brat becomes close to the Ashby family, especially Aunt Bee and the siblings, making it hard for him to maintain the deception.
There is a suspenseful question about whether Brat can continue to fool the family without getting caught.
The book also hints at a darker secret regarding Patrick's disappearance, which adds complexity to the plot.
Tey is noted for her character development and creating relatable, flawed characters.
The novel is filled with detailed descriptions of horses and equestrian life, appealing to horse enthusiasts.
Josephine Tey, born Elizabeth Mackintosh, is recognized as one of the great mystery writers alongside Agatha Christie.
Brat Farrar is often praised for its well-constructed plot and engaging narrative style.
The story raises questions about the nature of truth and deceit, as the characters navigate their relationships.

Sensitive Topics/Content Warnings

The book contains themes related to suicide, grief, and complicated family relationships, thus warranting medium content warnings.

From The Publisher:

In this tale of mystery and suspense, a stranger enters the inner sanctum of the Ashby family posing as Patrick Ashby, the heir to the family's sizable fortune. The stranger, Brat Farrar, has been carefully coached on Patrick's mannerism's, appearance, and every significant detail of Patrick's early life, up to his thirteenth year when he disappeared and was thought to have drowned himself. It seems as if Brat is going to pull off this most incredible deception until old secrets emerge that jeopardize the imposter's plan and his life. Culminating in a final terrible moment when all is revealed, Brat Farrar is a precarious adventure that grips the reader early and firmly and then holds on until the explosive conclusion.

1949
306 pages

Ratings (6)

Incredible (3)
Loved It (3)

Reader Stats (10):

Read It (6)
Want To Read (2)
Not Interested (2)

1 comment(s)

Incredible
1 year

WOW! Josephine Tey is top notch when it comes to character development/character driven plots. I loved Brat Farrar even though the premise has been done a few times, it was the slow intense build of the world we were reading (I listened on audio and I think that made it better) . Her style is so tight and really brings the plot to life.

 

About the Author:

Josephine Tey began writing full-time after the successful publication of her first novel, The Man in the Queue (1929), which introduced Inspector Grant of Scotland Yard. She died in 1952, leaving her entire estate to the National Trust.

 
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