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Lost Boy Lost Girl

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Who Would Like This Book:

If you love your horror on the eerie, psychological side rather than just buckets of blood, this is your jam. Straub's writing is quietly chilling, with haunting prose and intricate layers. Expect an intriguing cocktail of haunted house mystery, family drama, sinister secrets, and just the right touch of supernatural dread. Fans of literary horror, slow-burn suspense, and those who enjoy unraveling multiple timelines or unreliable narrators will find this one hard to put down. If you've read Straub's earlier stuff or enjoy authors like Shirley Jackson or early Stephen King, you'll appreciate the sophistication here.

Who May Not Like This Book:

Folks after non-stop action, tidy storylines, or jump-scare horror might find themselves restless. Some readers found the pacing slow to start, the structure confusing (think shifting timelines and perspectives), or felt emotionally distant from the characters. If you prefer a straightforward, fast-moving plot or depend on neat resolutions, you might not vibe with this book's dreamlike, layered storytelling. Also, the bleak subject matter and ambiguous ending didn't land for everyone.

A quietly unsettling, artful haunted house mystery that's perfect for fans of literary horror and complex storytelling, but may leave those after fast-paced scares or clear answers feeling cold.

About:

'Lost Boy Lost Girl' by Peter Straub is a chilling mystery novel that follows the story of a horror novelist, Timothy Underhill, as he searches for his missing nephew Mark, who disappeared after his mother's suicide. The plot unfolds in a small town with eerie ties to a haunted house and a serial killer on the loose. The narrative shifts through time and space, delving into familial bonds, dark secrets, and the supernatural elements surrounding the mysterious disappearances.

The writing style of Peter Straub in 'Lost Boy Lost Girl' is described as intricate, with vivid descriptions and multiple narrative framings that add depth to the story. The book offers a mix of horror, mystery, and ghostly elements, keeping readers engaged with its well-developed characters and unsettling plot twists.

Characters:

The characters are multifaceted and relatable, each grappling with personal issues, loss, and the mysteries surrounding them.

Writing/Prose:

The writing style is sophisticated and psychologically intense, marked by descriptive prose that evokes a sense of dread without overt horror.

Plot/Storyline:

The plot revolves around a family tragedy as a writer returns to his hometown to uncover the truth behind his nephew's disappearance following a suicide, intertwined with a chilling haunted house narrative.

Setting:

The setting combines a small-town atmosphere with a haunted house, creating an eerie backdrop for the unfolding drama.

Pacing:

Pacing is initially slow, setting up the mysteries, but accelerates as tensions rise and secrets are revealed.
NANCY UNDERHILL’S DEATH had been unexpected, abrupt – a death like a slap in the face. Tim, her husband’s older brother, knew nothing more. He could scarcely be said really to have known Nancy. On exa...

Notes:

Peter Straub uses subtle horror techniques instead of relying on gore and violence.
The novel 'Lost Boy Lost Girl' features themes of family, suicide, and mysterious disappearances.
Tim Underhill, the protagonist, is a recurring character from Straub's previous works like 'Koko' and 'The Throat'.
The plot revolves around a young boy, Mark, who disappears after his mother commits suicide, raising suspicions about a serial killer.
The setting of Millhaven is loosely based on Straub's own hometown of Milwaukee.
The abandoned house in the story becomes a character itself, filled with hidden rooms and pulsating energy.
Straub's writing style is noted for its elegance and psychological depth, contrasting with more sensational horror writers.
The book uses multiple viewpoints and non-linear storytelling to create complexity and suspense.
Readers are warned that this is not a traditional horror story, but rather a blend of mystery, supernatural elements, and family drama.

Sensitive Topics/Content Warnings

Content warnings include themes of suicide, murder, childhood trauma, and psychological distress, which may be triggering for some readers.

From The Publisher:

A woman commits suicide for no apparent reason. A week later, her son- fifteen-year-old Mark Underhill-vanishes. His uncle, novelist Timothy Underhill, searches his hometown of Millhaven for clues that might help unravel this horrible dual mystery. He soon learns that a pedophilic murderer is on the loose in the vicinity, and that shortly before his mother's suicide, Mark had become obsessed with an abandoned house where he imagined the killer might have taken refuge. No mere empty building, the house whispers from attic to basement with the echoes of a long-hidden true-life horror story, and Tim Underhill comes to fear that in investigating its unspeakable history, Mark stumbled across its last and greatest secret: a ghostly lost girl who may have coaxed the needy, suggestible boy into her mysterious domain.

October 2003
352 pages

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About the Author:

Peter Straub is the New York Times-bestselling author of more than a dozen novels. In the Night Room and lost boy, lost girl were winners of the Bram Stoker Award, as was his collection 5 Stories. Straub is the editor of numerous anthologies, including the two-volume American…

 
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