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The Man Who Saw Everything

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'The Man Who Saw Everything' by Deborah Levy is a complex and dreamlike novel that follows the story of Saul Adler, a young historian who experiences a life-altering event after being hit by a car at Abbey Road. The narrative shifts between 1988 and 2016, exploring themes of memory, love, fear, and interconnectedness. Levy's writing style is described as excellent, with a focus on examining and understanding one's own life and relationships, while incorporating elements of history and culture into the storyline. The second half of the book delves into surreal and unsettling territory, challenging the reader to navigate through shifting timelines and blurred realities.

Characters:

The characters are deeply flawed yet fascinating, with Saul being self-centered and complex, providing emotional depth to the narrative.

Writing/Prose:

The prose is elegant and poetic, blending surrealism with character introspection, making it both accessible and intellectually engaging.

Plot/Storyline:

The narrative follows Saul Adler, a historian whose life is altered by a car accident, intertwining his relationships and experiences in East Berlin with themes of memory and time.

Setting:

The setting spans London and East Berlin, against the backdrop of significant historical changes, enhancing themes of identity and socio-political shifts.

Pacing:

The pacing starts slowly and oddly, then shifts to a more intense and unsettling rhythm in the second half, requiring careful reader engagement.
I was thinking about how Jennifer Moreau had told me I was never to describe her beauty, not to her, or to anyone else. When I asked her why I was silenced in this way, she said, ‘Because you only hav...

Notes:

The novel is centered around Saul Adler, a 28-year-old graduate student and historian.
The story begins in 1988, shortly before Saul travels to East Germany for research.
Saul has a strained relationship with his socialist father and a brother he sees as a bully.
His girlfriend Jennifer, an art student, photographs him at Abbey Road, referencing The Beatles.
Saul is hit by a car while waiting for Jennifer, although he sustains only minor injuries.
Saul is described as self-absorbed, beautiful, and narcissistic.
The narrative shifts between 1988 and 2016, exploring themes of memory and reality.
Saul's experiences in Berlin involve surreal elements and explore his love life.
The novel involves a second car accident in 2016, leading to further exploration of Saul's past.
Deborah Levy's writing style is described as elegant and evocative, filled with rich imagery.
The book has been noted for its clever structure, requiring a reread for a deeper understanding.
Saul's character is portrayed as both charming and deeply flawed, making him complex and intriguing.
The plot engages with significant historical references, including the Berlin Wall and the Stasi.
It has received praise as a 'literary' novel and was longlisted for the Booker Prize.

Sensitive Topics/Content Warnings

Content warnings include discussions around domestic abuse, mental health issues, and references to historical trauma.

Has Romance?

Romantic elements are present, particularly through Saul's relationships, but the focus shifts towards self-discovery and identity.

From The Publisher:

Longlisted for the Booker Prize

Named a Best Book of the Year By: The New York Times Book Review (Notable Books of the Year) * The New York Public Library * The Washington Post * Time.com * The New York Times Critics' (Parul Seghal's Top Books of the Year) * St. Louis Post Dispatch * Apple * Publisher's Weekly

An electrifying novel about beauty, envy, and carelessness from Deborah Levy, author of the Booker Prize finalists Hot Milk and Swimming Home.

It is 1988 and Saul Adler, a narcissistic young historian, has been invited to Communist East Berlin to do research; in exchange, he must publish a favorable essay about the German Democratic Republic. As a gift for his translator's sister, a Beatles fanatic who will be his host, Saul's girlfriend will shoot a photograph of him standing in the crosswalk on Abbey Road, an homage to the famous album cover. As he waits for her to arrive, he is grazed by an oncoming car, which changes the trajectory of his life.

The Man Who Saw Everything is about the difficulty of seeing ourselves and others clearly. It greets the specters that come back to haunt old and new love, previous and current incarnations of Europe, conscious and unconscious transgressions, and real and imagined betrayals, while investigating the cyclic nature of history and its reinvention by people in power. Here, Levy traverses the vast reaches of the human imagination while artfully blurring sexual and political binaries-feminine and masculine, East and West, past and present-to reveal the full spectrum of our world.

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About the Author:

Deborah Levy is the author of seven novels: Beautiful Mutants, Swallowing Geography, The Unloved, Billy and Girl, Swimming Home, Hot Milk and The Man Who Saw Everything. She has been shortlisted twice each for the Goldsmiths Prize and the Man Booker Prize. Her short story collection, Black Vodka, was nominated for the International Frank O'Connor Short Story Award and was broadcast on BBC Radio 4, as were her acclaimed dramatizations of Freud's iconic case studies, Dora and The Wolfman. She has also written for The Royal Shakespeare Company and her pioneering theatre writing is collected in Levy: Plays 1. Her work is widely translated. Deborah Levy is a Fellow of the Royal Society of Literature. She is also the author of a formally innovative and emotionally daring trilogy of memoirs, a living autobiography on writing, gender politics and philosophy. The first two volumes, Things I Don't Want to Know and The Cost of Living, won the Prix Femina Etranger 2020. The final volume, Real Estate, will be published in Spring 2021.

 
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