Meet New Books
Book Cover

Persuasion

Save:
Find on Amazon

Who Would Like This Book:

If you love stories about second chances, quiet strength, and richly drawn characters, Persuasion is a treat. Jane Austen’s final finished novel brings us Anne Elliot - a gentle, intelligent heroine who has loved and lost, and must now navigate a world of shifting social fortunes and sparkling wit. The book is layered with heart, social satire, and one of literature’s most swoon-worthy love letters. Great for Austen fans, romantics, history lovers, or anyone who enjoys subtle, emotional character journeys and mature romance over youthful crushes.

Who May Not Like This Book:

Some readers find Persuasion slower and more subdued compared to Austen’s other novels. If you crave lots of action, lively banter, or fiery protagonists, Anne Elliot’s quiet, introspective manner might feel a bit too reserved. Others noted that side-plots and supporting characters get less attention here, and the subdued drama may feel ‘meh’ to fans of sharper wit or wild plot-twists. It’s a gentler, more melancholic ride than Pride & Prejudice’s sparkle or Emma’s mischief - so if you’re after lighthearted froth, this may not grab you.

A beautifully mature story of lost love and new hope - mellow, moving, and quietly swoon-worthy. If you like subtle, emotional romances and clever social observation, this is Austen at her most heartfelt.

About:

Jane Austen's 'Persuasion' tells the story of Anne Elliot, a woman who, after being persuaded not to marry her love Captain Wentworth due to his lack of fortune, finds herself in a situation where they meet again years later. The novel explores the complexities of human relationships over time, showcasing the themes of unrequited love, societal expectations, and the rekindling of a past romance. Written in Austen's elegant prose style, 'Persuasion' delves into the social strata of the 19th century, portraying high-class families' plights alongside Anne's personal journey.

The book presents a tender love story that unfolds gradually, with a focus on Anne's intelligence, strength, and capability as a protagonist. Austen's writing style highlights the nuances of human emotions, particularly the themes of love, regret, and second chances, as Anne navigates her feelings towards Captain Wentworth and the challenges of societal norms and expectations.

Characters:

The characters in Persuasion include the mature and introspective Anne Elliot, her proud father Sir Walter, and the charismatic Captain Wentworth. Through their interactions, Austen critiques societal norms and the complexity of love and persuasion.

Writing/Prose:

Austen's writing style in Persuasion is marked by sharp wit and social commentary, employing free indirect discourse to explore Anne's inner thoughts and emotions, creating a reflective and introspective tone.

Plot/Storyline:

Persuasion follows Anne Elliot, a woman who, under the pressure of her family, breaks off her engagement to Captain Wentworth. Years later, their paths cross again, leading to reflections on love, regret, and the societal expectations that shaped their choices.

Setting:

Persuasion is set in early 19th century England, mainly in Bath, highlighting the societal structures and class discrepancies that influence the characters' lives and decisions.

Pacing:

The pacing of Persuasion is initially slow as it delves into character introspection and societal norms; however, it picks up significantly in the latter half as romantic tensions escalate.
Sir Walter Elliot, of Kellynch-hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage, there he found occupation for an idle hour, and consolation in a...

Notes:

Persuasion was Austen's last completed novel, published posthumously in December 1817.
The story focuses on Anne Elliot, who was persuaded to reject Captain Wentworth's marriage proposal years earlier due to his lack of wealth.
Captain Wentworth returns eight years later, now wealthy and successful, prompting the rekindling of their feelings.
The novel explores themes of persuasion and regret, as Anne reflects on her past decisions.
Austens's characters often reflect on social status and the pressures of 19th-century society.
Anne Elliot is considered one of Austen's most mature heroines, being 27 years old at the time of the story.
The novel has a strong romantic element, culminating in Wentworth's heartfelt letter to Anne, expressing his undying love for her.
Unlike other Austen novels, the characters in Persuasion face consequences for their actions based on societal expectations.
The book touches on the idea of constancy in love, challenging the notion that feelings easily fade away over time.
Persuasion includes satirical elements that critique the vanity and incongruity of the landed gentry.

Has Romance?

The novel heavily features romance, particularly the rekindling of love between Anne and Wentworth.

From The Publisher:

Persuasion narrates the emotional journey of its protagonist Anne Elliot, who chances upon Captain Wentworth, a suitor she was persuaded to reject seven years earlier, and whose reappearance causes her to reflect on her past decisions and contemplate her marital future.

Vividly depicting the society holiday towns of Lyme Regis and Bath and infused with its author's trademark wit, Austen's last completed novel, set against the backdrop of the Napoleonic Wars, is an entertaining and enduring account of the dilemmas facing young women in the early nineteenth century.

1789
255 pages

Ratings (282)

Incredible (73)
Loved It (107)
Liked It (61)
It Was OK (29)
Did Not Like (8)
Hated It (4)

Reader Stats (465):

Read It (300)
Currently Reading (3)
Want To Read (122)
Did Not Finish (2)
Not Interested (38)

12 comment(s)

Did Not Like
2 days

18th century literature is not for me. They didn't even kiss.

 
Liked It
2 months

Re-reading this because when I read it last time I was not in the right headspace to appreciate it enough.

 
Incredible
4 months

This book is so patiently beautiful to me. Jane Austen reawakens the soul to liberty and desire. In short, ‘I am half agony, half hope’

 
It Was OK
9 months

This may be my favorite of Jane Austen so far (more likely it is Emma). It has also reminded me just how fickle her romances are. Yet, a guy just needs to read some Jane Austen every now and then.

 
Liked It
11 months

Storytelling

 
Loved It
1 year

Each time I reread Jane Austen I love them more and get more out of them. Even tough I don't love this as much as her other novels I still really enjoyed it

 
Did Not Like
1 year

***2.0***

RTC

 
Loved It
1 year

A more mature look at love

 
Loved It
1 year

…there could have been no two hearts so open, no tastes so similar, no feelings so in unison, no countenances so beloved. Now they were as strangers; nay, worse than strangers, for they could never become acquainted. It was a perpetual estrangement.

2023 reread: How much I've changed as a reader in two years! In 2021 I found

Persuasion one of the dullest, densest novels I'd read; this year it's charming, moving, and completely captivating. It also has one of the most romantic letters in any Austen novel.

My one real criticism is that Anne is basically perfect: clear-headed, competent, self-sacrificing, kind, loyal, able to handle delicate social situations with grace and aplomb. Even her initial decision to break off her engagement

is vindicated in the end, with Austen squarely placing the blame on Lady Russell’s shoulders

. I love Anne, but wish Austen would have given her some flaws.

Some favorite passages:

Mary talked, but she could not attend. She had seen him. They had met. They had been once more in the same room.

“Altered beyond his knowledge.” Anne fully submitted, in silent, deep mortification. Doubtless it was so, and she could take no revenge, for he was not altered, or not for the worse. She had already acknowledged it to herself, and she could not think differently, let him think of her as he would. No: the years which had destroyed her youth and bloom had only given him a more glowing, manly, open look, in no respect lessening his personal advantages. She had seen the same Frederick Wentworth. “So altered that he should not have known her again!” These were words which could not but dwell with her. Yet she soon began to rejoice that she had heard them. They were of sobering tendency; they allayed agitation; they composed, and consequently must make her happier.

He had thought her wretchedly altered, and in the first moment of appeal, had spoken as he felt. He had not forgiven Anne Elliot. She had used him ill, deserted and disappointed him; and worse, she had shown a feebleness of character in doing so, which his own decided, confident temper could not endure. She had given him up to oblige others. It had been the effect of over-persuasion. It had been weakness and timidity.

“The name of Anne Elliot,” said he [Mr. Elliot], “has long had an interesting sound to me. Very long has it possessed a charm over my fancy; and, if I dared, I would breathe my wishes that the name might never change.”

Their union, she believed, could not divide her more from other men, than their final separation. Prettier musings of high-wrought love and eternal constancy, could never have passed along the streets of Bath, than Anne was sporting with from Camden Place to Westgate Buildings. It was almost enough to spread purification and perfume all the way.

We certainly do not forget you as soon as you forget us. It is, perhaps, our fate rather than our merit. We cannot help ourselves. We live at home, quiet, confined, and our feelings prey upon us. You are forced on exertion. You have always a profession, pursuits, business of some sort or other, to take you back into the world immediately, and continual occupation and change soon weaken impressions.”

I will not allow it to be more man’s nature than woman’s to be inconstant and forget those they do love, or have loved. I believe the reverse. I believe in a true analogy between our bodily frames and our mental; and that as our bodies are the strongest, so are our feelings; capable of bearing most rough usage, and riding out the heaviest weather.” “Your feelings may be the strongest,” replied Anne, “but the same spirit of analogy will authorise me to assert that ours are the most tender. Man is more robust than woman, but he is not longer lived; which exactly explains my view of the nature of their attachments. Nay, it would be too hard upon you, if it were otherwise.

I believe you equal to every important exertion, and to every domestic forbearance, so long as—if I may be allowed the expression—so long as you have an object. I mean while the woman you love lives, and lives for you. All the privilege I claim for my own sex (it is not a very enviable one; you need not covet it), is that of loving longest, when existence or when hope is gone.”

“I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone forever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan.

Who can be in doubt of what followed? When any two young people take it into their heads to marry, they are pretty sure by perseverance to carry their point, be they ever so poor, or ever so imprudent, or ever so little likely to be necessary to each other’s ultimate comfort. This may be bad morality to conclude with, but I believe it to be truth;

Anne was tenderness itself, and she had the full worth of it in Captain Wentworth’s affection. His profession was all that could ever make her friends wish that tenderness less, the dread of a future war all that could dim her sunshine. She gloried in being a sailor’s wife, but she must pay the tax of quick alarm for belonging to that profession which is, if possible, more distinguished in its domestic virtues than in its national importance.

Initial 2021 review (★★☆☆☆): I feel so incredibly guilty rating this novel two stars. I was trying to convince myself that I could give it three, but that just wouldn't be an honest representation of how I feel. Unfortunately, I love everything about the

idea of Austen…but it turns out her style is just not for me.

First, though, the things I liked: I thought Anne was an interesting character, if a little too perfect, and many of the side characters were well-developed and intriguing; I found the idea of the plot compelling, even though the pacing and structure is very different from contemporary literature (Anne doesn't really

do much other than react to things that happen), and even though this novel

does boil down to the sometimes frustrating plot device of a central conflict that could easily be solved if the characters would just talk to each other (in this case, I understood why such a conversation was impossible until the end); and I enjoyed Austen's exploration of the theme of persuasion.

However, none of that can change the fact that I find Austen's prose incredibly difficult to follow—so many commas and semicolons! such odd and convoluted phrasing! so many allusions to Regency-era social expectations that I’m completely unfamiliar with! so many different names for the same character, and so many different characters with the same name!—and just generally, well…boring. The first ~25% of the book is legitimately some of the most dull writing I've ever suffered through, and while it picks up slightly once Wentworth finally reappears, I mostly felt like it was a chore to finish this.

Some favorite passages:

She had been forced into prudence in her youth, she learned romance as she grew older—the natural sequel of an unnatural beginning.

The portraits themselves seemed to be staring in astonishment.

Alas! with all her reasonings, she found, that to retentive feelings eight years may be little more than nothing.

While we were together, you know, there was nothing to be feared.

Anne’s object was, not to be in the way of any body, …

Her pleasure in the walk must arise from the exercise and the day, from the view of the last smiles of the year upon the tawny leaves and withered hedges, and from repeating to herself some few of the thousand poetical descriptions extant of autumn, that season of peculiar and inexhaustible influence on the mind of taste and tenderness, that season which has drawn from every poet, worthy of being read, some attempt at description, or some lines of feeling.

The sweet scenes of autumn were for a while put by—unless some tender sonnet, fraught with the apt analogy of the declining year, with declining happiness, and the images of youth and hope, and spring, all gone together, blessed her memory.

It is the worst evil of too yielding and indecisive a character, that no influence over it can be depended on.—You are never sure of a good impression being durable. Every body may sway it; let those who would be happy be firm.

Her spirits wanted the solitude and silence which only numbers could give.

he repeated, with such tremulous feeling, the various lines which imaged a broken heart, or a mind destroyed by wretchedness, and looked so entirely as if he meant to be understood, that she ventured to hope he did not always read only poetry; and to say, that she thought it was the misfortune of poetry, to be seldom safely enjoyed by those who enjoyed it completely; and that the strong feelings which alone could estimate it truly, were the very feelings which ought to taste it but sparingly.

Anne wondered whether it ever occurred to him now, to question the justness of his own previous opinion as to the universal felicity and advantage of firmness of character; and whether it might not strike him, that, like all other qualities of the mind, it should have its proportions and limits. She thought it could scarcely escape him to feel, that a persuadable temper might sometimes be as much in favour of happiness, as a very resolute character.

One man’s ways may be as good as another‘s, but we all like our own best.

It was now some years since Anne had begun to learn that she and her excellent friend could sometimes think differently;

For a few moments her imagination and her heart were bewitched.

She distrusted the past, if not the present.

Your peace will not be shipwrecked as mine has been.

She was deep in the happiness of such misery, or the misery of such happiness, instantly.

“…Songs and proverbs, all talk of woman’s fickleness. But perhaps you will say, these were all written by men.” “Perhaps I shall.—Yes, yes, if you please, no reference to examples in books. Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands. I will not allow books to prove any thing.”

There they returned again into the past, more exquisitely happy, perhaps, in their re-union, than when it had been first projected; more tender, more tried, more fixed in a knowledge of each other’s character, truth, and attachment; more equal to act, more justified in acting./

 
Loved It
1 year

My rating has changed since I first read this… Current ratings and reviews found at

this edition.

 
More Comments...

About the Author:

Though the domain of Jane Austen's novels was as circumscribed as her life, her caustic wit and keen observation made her the equal of the greatest novelists in any language. Born the seventh child of the rector of Steventon, Hampshire, on…

 
Meet New Books is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a way for sites to earn advertising fees by advertising and linking to products and services on amazon.com and its subsidiaries.
When you click the Amazon link and make a purchase, we may receive a small commision, at no cost to you.