Who Would Like This Book:
This book is an absolute firecracker for true crime fans, history buffs, and anyone who loves a juicy conspiracy theory. Robinson's investigation into the Jack the Ripper case is meticulously researched, fiercely opinionated, and packed with both shocking revelations and dark humor. If you've always been fascinated by Victorian England's underbelly, enjoy questioning official narratives, or have a taste for brash, no-holds-barred writing, you’ll find this massive tome addictive. It’s also a must for readers intrigued by institutional corruption and Freemason mysteries.
Who May Not Like This Book:
Some readers found Robinson’s style grating - he’s sarcastic, repetitive, and doesn’t shy away from expletives or political incivility. The narrative is sprawling, at times meandering into side stories and tangential rants. If you prefer concise, balanced histories or are easily put off by strong bias or speculative leaps, this book may try your patience. And at over 800 pages, it’s definitely not for the faint of heart or those looking for a quick read.
About:
'They All Love Jack: Busting the Ripper' by Bruce Robinson is a detailed and revelatory study that delves into the identity of Jack the Ripper. Robinson presents a new theory on the infamous murderer, suggesting that Michael Maybrick, a prominent musical celebrity, may have been the true culprit. The book explores the societal structures and corruption of Victorian Britain, intertwining themes of Freemasonry, judicial misconduct, and class inequalities. Robinson's writing style is described as fiery and emotional, with a focus on exposing the shadows that concealed not only the Ripper's identity but also broader criminal activities within the establishment.
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Sensitive Topics/Content Warnings
Content warnings include graphic descriptions of violence and murder, discussions of misogyny, and politically incorrect language.
From The Publisher:
The iconoclastic writer and director of the revered classic Withnail & I-"The funniest British film of all time" (Esquire)-returns to London in a decade-long examination of the most provocative murder investigation in British history, and finally solves the identity of the killer known as "Jack the Ripper."
In a literary high-wire act reminiscent of both Hunter S. Thompson and Errol Morris, Bruce Robinson offers a radical reinterpretation of Jack the Ripper, contending that he was not the madman of common legend, but the vile manifestation of the Victorian Age's moral bankruptcy.
In exploring the case of Jack the Ripper, Robison goes beyond the who that has obsessed countless others and focuses on the why. He asserts that any "gentlemen" that walked above the fetid gutters of London, the nineteenth century's most depraved city, often harbored proclivities both violent and taboo-yearnings that went entirely unpunished, especially if he also bore royal connections. The story of Jack the Ripper hinges on accounts that were printed and distributed throughout history by the same murderous miscreants who frequented the East End of her Majesty's London, wiping the fetid muck from their boots when they once again reached the marble floors of society's finest homes.
Supported by primary sources and illustrated with 75 to 100 black and white photographs, this breathtaking work of cultural history dismisses the theories of previous "Ripperologists." A Robinson persuasively makes clear with his unique brilliance, The Ripper was far from a poor resident of Whitechapel . . . he was a way of life.
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About the Author:
Bruce Robinson is the director and screenwriter of Withnail & I, How to Get Ahead in Advertising, Jennifer 8, and The Rum Diary. He has also written the screenplays for The Killing Fields, Shadow Makers (released in the US as Fat Man and Little Boy), Return to Paradise, and In Dreams. He is the author of The Peculiar Memories of Thomas Penman, Paranoia in the Launderette, and two books for children, The Obvious Elephant and Harold and the Duck, both illustrated by Sophie Windham. He lives in London.
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