Who Would Like This Book:
If you love political intrigue and are fascinated by the inner workings of the U.S. Senate, this Pulitzer-winning novel is a treat. It masterfully captures the drama, backroom deals, and moral dilemmas that fuel high-stakes government decisions. The characters are sharply drawn, the atmosphere is charged with Cold War tension, and the plots and personalities feel just as fresh - and messy - as today’s politics. Fans of shows like "The West Wing" or "House of Cards," or anyone who enjoys peeling back the layers of power, will find this book rewarding (especially if you’re up for a substantial read!).
Who May Not Like This Book:
If slow-burning stories and hefty page counts aren’t your thing, this book might test your patience. Some readers find the prose a bit formal and the pacing, especially early on, can be glacial as Drury meticulously sets the stage. Others are put off by dated attitudes and stereotypes that reflect the era, thin characterizations of women, or the sense that the once-groundbreaking content has lost some of its punch in a post-C-SPAN world. If you’re seeking snappy dialogue or rapid-fire action, this may not be your cup of tea.
About:
'Advise and Consent' by Allen Drury is a political thriller set in the 1950s that delves into the intricate workings of the US Senate during a time of Cold War tensions. The novel follows the confirmation process of Secretary of State nominee Robert Leffingwell, exploring themes of corruption, blackmail, and the moral dilemmas faced by politicians. Drury's writing style is described as suspenseful and detailed, capturing the political drama with a mix of wit and realism.
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Sensitive Topics/Content Warnings
The book explores themes of political corruption, emotional distress, and historical injustices regarding sexual orientation.
From The Publisher:
The #1 New York Times bestseller and Pulitzer Prize winner
Allen Drury's Advise and Consent is one of the high points of 20th Century literature, a seminal work of political fiction-as relevant today as when it was first published. A sweeping tale of corruption and ambition cuts across the landscape of Washington, DC, with the breadth and realism that only an astute observer and insider can convey.
Allen Drury has penetrated the world's stormiest political battleground-the smoke-filled committee rooms of the United States Senate-to reveal the bitter conflicts set in motion when the President calls upon the Senate to confirm his controversial choice for Secretary of State. This novel is a true epic showing in fascinating detail the minds and motives of the statesmen, the opportunists, the idealists.
From a Senate old-timer's wily maneuvers, a vicious demagogue's blistering smear campaign, the ugly personal jealousies that turn a highly qualified candidate into a public spectacle, to the tragic martyrdom of a presidential aspirant who refuses to sacrifice his principles for his career-never has there been a more revealing picture of Washington's intricate political, diplomatic, and social worlds. Advise and Consent is a timeless story with clear echoes of today's headlines.
Includes Allen Drury's never-before-published original preface to Advise and Consent, his essay for the Hoover Institution on the writing of the book, as well as poignant personal memoirs from Drury's heirs.
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1 comment(s)
There are good parts of this book--it won a Pulitzer (overturning the committee, as it would 13 years later to deny Gravity's Rainbow, so, grain of salt), and some of the descriptions of pain and fatigue of the politickLing life are very evocative and telling.
Overall, though, politically it's detestable, and even if I agreed with it, its lionization of Senators Doing American Things with honor and dignity is incredibly stupid, especially considering the outcome--reasonable people disagree, but one senator, a shouting, unhinged lunatic, is without nuance and exists to be castigated by absolutely everyone, as does the mustache-twirling villain (?) of the piece. The others don't see real consequences of their actions--well, they do, and feel bad about it, which absolves them.
Overall it's a portrait of the special glory of American Politics, unironically, which is a joke considering that the President blackmails a principled Senator to death.
FOREIGN RELATIONS: This is a book about the dangers of being too soft on the Soviets, a bold and shocking position to take in 1959 (it wasn't), and the jeered strawman slogan is "I would rather crawl on my knees to Moscow than die under an atom bomb!" Which....I would? We all should? Nuclear war isn't just killing people. It's total ecological devastation of all species and their futures, and the destruction of earth. I think being reasonable with the Russians--demonic beings that crave only America's total destruction--should have been a goal of foreign relations, not a derided plea from unreasonable cowards.
Of course, the foreign relations here aren't exactly nuanced. The British ambassador--the only Brit, as the other ambassadors are the only ones of their nationality--is a distant, quippy artistocrat, the Indian ambassador is a nosy, craven appeaser, the Russian ambassador is a hostile and shitty ambassador with no pretense of diplomacy with the US.
At the end of the day, the honorable men make honorable stands. I think the Senate has one woman, one Latino (maybe) and one Hawaiian guy, from Hawaii, but otherwise it's all men, all white, all paternalistic as hell. When the handsome, too-perfect young Senator has a crisis, his wife, to whom he has been emotionally distant for like a decade, is narratively chastised for being upset by his continued failure to open up to her, rather than supporting him unequivocally as he continues to lie to her in the face of anonymous threatening agents. Women exist as wives to support husbands. They may do so intelligently and compassionately, but men are at the forefront.
Overall there are no other people of color. There is surprising sympathy for a probably-gay man whose wartime affair is revealed, but not denounced (although it's in such oblique language it's a little "too awful to mention), although he isn't happy about the consequences.
It strikes me that the hero of the final stretch of the book--a tart, straight-talking Illinois senator who is the President's old rival--denounces the current state of America. You know, the golden age we're supposed to hearken back to?
Do you want a war, Senator?” Of course he didn’t want a war; he just wanted an end to this flabby damned mushy nothingness that his country had turned herself into. And he particularly wanted an end to the sort of flabby damned thinking that the nominee and his kind represented—the kind of thinking, growing out of the secret inner knowledge that a given plan of action is of course completely empty and completely futile, which forces those who embark upon it to tell themselves brightly that maybe if the enemy will just be reasonable the world will become paradise overnight and everything will be hunky-dory. It was quite obvious to Senator Knox that the enemy would never be reasonable until the day he could dictate the terms of American surrender, and it was with an almost desperate determination that he returned again and again to the task of trying to make this clear to his countrymen. It was doubly frustrating because it was quite obvious that his countrymen knew it. They knew it, but they didn’t want to admit they knew it, because that would impose upon them the obligation of doing something about it, and that might bother them, and they didn’t want that."
COME ON.
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